saadhu ram aarzu saharanpuri (1901-1983) saharanpur and kolkata.  He was a shaagird of faani badayuni.  There are at least two collections of Ghazal and nazm.  There is precious little by way of biographical information but it seems that he was associated with teaching (perhaps urdu) in some college in kolkata.  This Ghazal is linked to Ghalib naqsh-e qadam, jaauN kidhar ko maiN.
1
hairaaN¹ huN dekh dekh ke unn ki nazar² ko maiN
aaina dekhta huN keh aaina-gar³ ko maiN

1.puzzled, amazed 2.image, reflection 3.mirror maker

The poet/lover observes the beloved gazing at her own image in the mirror.  He is amazed, looking at the beauty/gaze of the beloved and at the reflection in the mirror at the same time.  He cannot decide whether he is looking at her beauty/reflection or through this beauty he is observing the mirror/image-maker (god) himself, such is her ethereal beauty.
2
sab jazb¹ kar chuka huN mohabbat ke juzv-o-kul²
rugg-rugg³ meN dekhta huN ab unn ki nazar ko maiN

1.absorb, understand 2.part and whole 3.every fibre/vein

I have absorbed all the parts and the whole of love.  As a consequence, every fibre of my body sees only the beloved’s image.  This could also have mystical dimensions … looking at divine beauty.
3
rakh duuN ulaT ke parda-e asaraar¹-e marg² o zeest³
junbish⁴ jo duN nigaah⁵-e haqeeqat-nigar⁶ ko maiN

1.mysteries 2.death 3.life 4.movement 5.sight, eyes 6.truth seeing/discerning

If I turn my truth-discerning eyes towards it, I would lift back the veil over mysteries of life and death – such is the power of observation of poets.
4
karta huN roz¹ sair²-e tamaasha³-e husn⁴-e quds⁵
parda⁶ bana ke jalva⁷-e shaam⁸ o sah’r⁹ ko maiN

1.every day 2.sightseeing, see/observe 3.display, scene 4.beauty 5.sacred 6.veil, screen 7.glory 8.night 9.dawn, day

Every day I see the display of divine beauty using day and night as a screen of its glory i.e., divine beauty is displayed all around us day and night.
5
meray mazaaq¹-e diid² ki quddusiyat³ nah poochh
ashkoN se paak⁴ kar ke chala huN nazar⁵ ko maiN

1.taste, perception 2.sight 3.virtue, holiness 4.purify 5.eyes, sight

The poet has a discerning sight – mazaaq-e diid.  His discerning eye is holy/virtuous.  Here the ‘nah poochh – do not ask’ implies that this quality is in abundance in his sight.  This is so because he has washed his eyes with his tears i.e., he has repented, cried tears asking for forgiveness and his sight has become discerning so that he can see divinity all around him.
6
kya fursat¹-e dua nah milegi kabhi mujhe
allah kab se DhoonD raha huN asar² ko maiN

1.opportunity, time, permission 2.effect

It is a common trope that prayer/dua goes unanswered and is ineffective.  Here the poet/supplicant has been searching for ‘effect’ so that his dua might be anwered but he has not found it.  Thus, will I ever get an opportunity to pray i.e., he doesn’t really want to do it until after he has found what it takes to make his prayer effective.
7
afsha¹ hai mujh pay aarzu² har sirr³-e kaa’enaat⁴
ek khel jaanta huN qaza-o-qadar⁵ ko maiN

1.revealed, divulged 2.pen-name of the poet 3.secret, mystery 4.universe 5.pre-destiny, fate

O aarzu, every secret of the universe has been revealed to me.  I understand presdestiny to be a game.  This can be interpreted as energetic and in control.  The poet understands the secrets of the universe … the secret is that our life is in our control that he knows that talk about fate and pre-destiny is nothing but a diversionary game.